Jadelynn St Dre, FORCE: Upsetting Rape Culture, and Anonymous ArtistsMonument Quilt square8’x8’Fabric, Paint Marker2019 Monument Quilt Square is a 8’x8’ fabric, paint marker piece created in 2019 by Jadelynn St Dre, FORCE: Upsetting Rape Culture, and Anonymous Artists. Jadelynn’s piece is located in the bottom right corner. The central artwork has a vibrant red background … Continue reading Quilt Block, Jadelynn St. Dre →

Jadelynn St Dre with Eliza Barrios, Angela Hennessy, Lydia Greer, Jo Howard, Vanessa Rochelle Lewis, LeahAnn Mitchell #lamfemmebear, Quinn Peck, Reaa Puri, Leslie St DreChoreographies of Disclosure: What the Mind ForgetsPro Arts Gallery, Oakland, 2018 Choreographies of Disclosure was a socially engaged, long-form project, organized and curated by St Dre in collaboration with LGBTQ multidisciplinary … Continue reading Choreographies of Disclosure, Jadelynn St. Dre →

Jadelynn St DreProtectionSalt, water2025 Protection is an interactive salt and water piece developed in 2025. When people interact with the artwork, the installation features a circle of white salt resting on a black vinyl protective surface that creates the impression of a soft, dark space anchoring the scene. On top of the salt mound are … Continue reading Bones piece, Jadelynn St. Dre →

Nickole Keith,  FORCE: Upsetting Rape Culture, and Anonymous ArtistsMonument Quilt square8’x8’Yarn, fabric, ribbon, marker2015 Monument Quilt square is a 8’x8’ marker, yarn, fabric, and ribbon piece created in 2015 by Nickole Keith, FORCE: Upsetting Rape Culture, and Anonymous Artists. Nickole’s artwork for the Monument Quilt is in the collection at the National Museum of the … Continue reading Quilt block, Nickole Keith (Won’t be displayed, but photo of it) →

Nottawaseppi Huron band of the Potawatomi, Unknown Artist, Nickole Keith, and Chris WilsonBlood Memory: Past, Present, and Future4” x 5”; 3.25” x 7”; 4.5” x 10” (hxw)Black ash basketsLate 1800s, 2025, and 2012 Blood Memory: Past, Present, and Future is a collection of three black ash tree handwoven baskets with varying sizes. The first basket … Continue reading Basket Blood Memory: Past, Present, and Future Nickole Keith →

Portrait of Nickole and Paula KeithPhoto by NHBP Tribal Member Johnathon Moulds2021A photograph of Nickole Keith (left), and her mother, Paula Keith (right) standing side by side, directly gazing at the camera. Nickole has short, black hair and bangs, medium brown skin, and is wearing beaded earrings. Paula has long grey hair and light brown … Continue reading Photograph, Nickole Keith →

Paula Keith (interviewee), Mariesha Keith (interviewer), Dorie Rios, Chairwoman of the Nottawaseppi Huron Band of the Potawatomi (narrator of pathology report), and Nickole Keith (author of “Nnoshé” painting)Brenda Joy Day00:10:522022The video medium is of an older woman named Paula Keith [Nickole Keith’s mother] from the Potawatomi tribe describing the story of her sister, Brenda Day, … Continue reading Brenda Joy Day (Video) →

Nickole KeithWeaving through trauma4’x4’Acrylic on birchwood 2025 Weaving through trauma is a 4’x4’ acrylic abstract painting with a repeating geometric pattern on birchwood created in 2025. The artwork consists of a grid of small, rectangular brush strokes in various earthy tones–such as ochre, rose, brown, and cream–arranged diagonally to form a woven or basket effect. Each … Continue reading Weaving through trauma, Nickole Keith →

Nickole Keith374 Broken Promises4’x4′Acrylic on birchwood 2025 374 Broken Promises is a 4’x4’ acrylic abstract painting on birchwood created in 2025. It displays swirling patterns in shades of red, orange, yellow, purple,  blue, and black in the background intersected by black marks resembling small X’s spanning across the entire canvas. The red, orange, yellow mimics … Continue reading 374 Broken Promises, Nickole Keith →

Nickole KeithNnoshé4’x4’ Acrylic on birchwood 2019 Nnoshé is a 4’x4’ mixed medium piece of acrylic painting and beads on birchwood created in 2019. The artwork is divided into several horizontal sections. Three quarters of the painting has colors of black, purple/pink, bronze, and grayish-black color strokes that are rough in texture, almost like a fork that was … Continue reading Nnoshe (portrait), Nickole Keith →