We Live in the Sky: Home, Displacement, Identity from October 16 to December 7, 2024 at The Stamp Gallery | University of Maryland, College Park | Written by Oliver Foley We Live in the Sky is an exhibition dominated by the tones of paper and black ink, with the vast majority of the works on … Continue reading Window to Earth
We Live in the Sky from October 16th to December 7th, 2024 at The Stamp Gallery | University of Maryland, College Park | Written by Rachel Schmid-James Although the towering and intricate silk screens hanging from the ceiling may be what first catches the eye of students and visitors passing by the Stamp Gallery’s windows, … Continue reading The Call of Home: Community and Heritage On Campus in Tori Ellison’s We Live in the Sky Screenprints
We Live in the Sky: Home, Displacement, Identity from October 16 to December 7, 2024 at The Stamp Gallery | University of Maryland, College Park | Written by Ellen Zhang We Live in The Sky is an exhibition that combines diverse voices on what home means to individuals. From Tori Ellison’s use of UMD writing … Continue reading Finding Home: Mami Takahashi’s Cage Mentality
We Live in the Sky: Home, Displacement, Identity from October 16 to December 7, 2024, at The Stamp Gallery | University of Maryland, College Park | Written by Trinitee Tatum Some cannot see the forest for the trees—drawn too close to the core, captivated by its light and promises, unable to look back. Others, existing … Continue reading Standing and Showering in Sound: What Center and Periphery Mean in Mami Takahashi’s Audio Journal
We Live in the Sky: Home, Displacement, Identity from October 16 to December 7, 2024 at The Stamp Gallery | University of Maryland, College Park | Written by Noa Nelson Mami Takahashi’s video performance Writing Myself is a fascinating exploration of identity, language, and the paradoxes of self-expression. In this work, Takahashi uses writing as … Continue reading Hidden in Plain Sight: The Paradoxes of Self-Expression in Mami Takahashi’s Writing Myself
The Digital Landscape from August 26 to October 5, 2024 at The Stamp Gallery | University of Maryland, College Park | Written by Oliver Foley Art can be divided into two elementary actions: observation and synthesis. In the creation of a piece of art, the human takes in their surroundings, their own thoughts, their friends; … Continue reading Anacostia Intelligence
The Digital Landscape from August 26th to October 5th, 2024, at The Stamp Gallery | University of Maryland, College Park | Written by James Cho The process of immigration has always been a difficult one, no matter the time, place, or people involved in it. What most people don’t fully recognise, though, is that immigration … Continue reading Assimilation, Loss, and Home in Kat Navarro’s Kalapati Without a House
The Digital Landscape from August 26 to October 5, 2024 at The Stamp Gallery | University of Maryland, College Park | Written by Ellen Zhang Digitalization has drastically changed the relationship between space, time, and self. With the help of phone cameras, humans can now exist in pixels instead of atoms. Through the cloud, memories … Continue reading Caught in the Glitch
The Digital Landscape from August 26 to October 5, 2024, at The Stamp Gallery | University of Maryland, College Park | Written by Trinitee Tatum For an instant, I stood in front of Chris Combs’ Pollination (2023). It simultaneously stole my face and voice, projecting a virtual me before the physical me. The real me. … Continue reading Securi ex machina, or Safe from the machine
The Digital Landscape from August 26 to October 5, 2024 at The Stamp Gallery | University of Maryland, College Park | Written by Olivia DiJulio As a woman with disabilities, my work is often multisensory and immersive, as I feel it is important to provide multiple ways for people to experience the artwork. Michelle Lisa … Continue reading Subjugating Spaces and Bodily Autonomy: Resistance with Michelle Lisa Herman
