Unspoken Volumes from August 29 to October 8, 2022 at The Stamp Gallery | University of Maryland, College Park | Written by Isabella Chilcoat
Hae Won Sohn, a New York-based artist and craftswoman, has graced the Stamp Gallery with a new art presence that straddles the unspoken and the overlooked crevices between shape, color, and space. Dovetailing three-dimensional objects and multimedia work, Sohn’s minimalist creations consume the gallery’s white walls in a breathy pastel mirage that I desperately want to consume. I cannot describe her palette better than melted ice cream colors complete with an offering that ranges from neapolitan to mint chip. After visiting this exhibition viewers will leave wanting at least two scoops.
Hae Won Sohn, chocolate milk cow milk, 2022. Plaster and oxide pigment. Currently on loan at the Stamp Gallery, College Park, MD.
But the real scoop is better than everyone’s favorite creamy delight. Take chocolate milk cow milk, 2022: Made of plaster and milk chocolatey brown oxide pigments, this triptych (collection of three) and a half cast sculpture set blooms from the gallery’s main wall. Parallel to the exterior windows, chocolate milk cow milk is visible to any person perusing the hallway, but it is worth moving closer. From a more intimate distance, one can examine the swirled pigments within each object’s silky crescent surface. Chocolate milk cow milk exemplifies Sohn’s conception of “burry objects,” a phenomenon she describes as both a “physical and metaphorical quality of [her] work in [her] vision which occurs as a result of exploring and adjusting distances through(out) time.” None of her works are detached from their origin, process, or the space they occupy. Accordingly, each of the works in Unspoken Volumes encompasses the cooperation of every contributing source which ensured the presence of the objects in the room. This includes the personal and the material antecedents that work together to make her art making possible – initial inspiration, the sources of material, molds, media, availability of exhibition space, reception of the work, and individual response to name a few. Through an appreciation of each work’s origins coupled with the present viewing moment, Sohn’s art grows in complexity while appearing as a simple form. In essence, the space feels complete. Her art is so inclusive to process and presence that walking into the gallery translates a deep calm or inner satisfaction.
” Some ideas and forms seem to become clearer in the blur. This perhaps happens from my understanding of blurriness to being more embracing of intrusions and embodying higher potential and energy compared to what appears to be more defined. “
Sohn, unspoken volumes artist statement, 2022.
An all-encompassing blurriness arises through observation of Unspoken Volumes from a macro and micro perspective. The space as a whole breathes as if every object pumps in a synchronized heartbeat while the individual pieces still emit a cadence of their own. I can relate to the idea of blurriness in my own attempts to grasp the origins of each piece of art and my present interpretation at the same time. These lines of comprehension become fuzzy the harder I ponder over one of Sohn’s smooth sculpture surfaces and the shadows cast between objects in a set. I am overwhelmed by the compositions Sohn has crafted through fundamental art elements juxtaposed with their conceptual depths that exceed the places from where I stand to observe them. Even the best images fail to capture the multitudes Sohn’s works contain; something as simple as an alteration to lighting or angle of viewing reveals a whole new landscape for each piece. I argue the modesty of abstracted forms alone attests to the beauty of contemporary art as a whole, and Unspoken Volumes is no exception.
various angles of Sohn’s chocolate milk cow milk, 2022, in the Stamp Gallery
Come visit the Stamp Gallery to explore this existential landscape cast by Unspoken Volumes for yourself, and tune in to hear from the artist herself on Thursday, Sep 8, 2022 during her artist talk in the space from 6:30-8:00 pm.
Hae Won Sohn’s work is included in Unspoken Volumes at The Stamp Gallery of the University of Maryland, College Park, from August 29 to October 8, 2022.
Sohn will deliver an artist talk on Unspoken Volumes in the Gallery on September 8, 2022, 6:30-8:00pm. For more information on Hae Won Sohn, visit https://haewonsohn.com .
