The Art of Artificial Intelligence: Exploring the Future of Creative Expression

LIMBSHIFT from April 20 to May 19, 2023 at The Stamp Gallery | University of Maryland, College Park | Written by Noa Nelson

During the 19th century, the invention of photography brought about an automated way of capturing detailed images which previously required human intervention. Although photography was praised for its precision and elimination of human error, debates emerged on whether machine-made images could be considered art and how human creativity played a role in the process. Today, similar debates have arisen with the emergence of artificial intelligence (AI)-generated art, which is raising questions about the nature of human expression and agency in a technology-mediated environment.

Featured in the Stamp Gallery’s current exhibition LIMBSHIFT, Dan Ortiz Leizman includes AI-generated videos and artwork within their showcase.  Leizman employs AI tools to generate images in DESIRE.propaganda prints, as well as for her short film, NUKESOUND. These are just a few ways in which AI is being used today by artists. 

AI has become an increasingly popular tool to push the boundaries of what we consider to be art. One of the most popular uses of AI in art is generative art, in which algorithms are used to create new artworks. This can include everything from abstract designs to realistic images, and even music or videos.

Another use of AI in art is in the analysis and interpretation of existing works. For example, AI can be used to identify patterns and themes in large collections of artwork, or to analyze the use of color and composition in individual pieces. This can provide insights into the artistic process and help to identify trends and influences in the art world.

Dan Ortiz Leizman, DESIRE.propaganda (2023), DALL-E, prints on paper

AI can be used to enhance the creative process for human artists. Some artists are using AI tools to generate new ideas and explore different creative possibilities. Others are using AI to automate repetitive tasks, such as color selection or the placement of objects in a composition, allowing them to focus on more creative aspects of their work.

However, there are also concerns about the use of AI in art. Some critics argue that the use of AI technology reduces the value of human creativity and skill, and that generative art lacks the emotional depth and intentionality of human-created art. Defining what is considered “real” art is a complex and subjective question that has been debated by artists, critics, and scholars for centuries. While there is no single definition of what constitutes real art, there are some general characteristics that are often associated with it.

First and foremost, real art is typically seen as a product of human creativity and imagination. It is an expression of the artist’s unique perspective, experiences, emotions, and ideas, and it often reflects the cultural, social, and historical context in which it was created. This means that real art is often seen as having a certain level of originality, authenticity, and personal meaning.

For the traditionally-minded, real art is also typically characterized by a high degree of skill and technical mastery. Whether it is painting, sculpture, music, or any other art form, the artist must have a certain level of training and expertise to create a work that is aesthetically pleasing and effective in conveying their intended message or emotion. This skill and mastery can be achieved through years of practice, experimentation, and study of the principles and techniques of the particular art form.

Art should also have the ability to evoke an emotional or intellectual response in the viewer. Whether it is a sense of awe, beauty, sadness, or contemplation, real art has the power to move us and make us think. This emotional and intellectual engagement is often what separates real art from mere decoration.

Ultimately, the question of what is considered real art is a subjective one that is shaped by individual tastes, cultural values, and historical context. While there are some general characteristics that are often associated with real art, it is important to remember that art is ultimately a reflection of the human experience and the infinite variety of ways in which we can express ourselves creatively.

Whether art generated by AI can be considered “real” art is a matter of ongoing debate. Some argue that the creative process of AI itself can be considered a form of art, and that the resulting works are valid expressions of creativity. Proponents of AI-generated art argue that the creative process of AI itself can be considered a form of art. They point out that AI algorithms are capable of generating surprising and unexpected results, and that the process of training an AI to create art can be as creative and experimental as any other artistic process. They also argue that the resulting works can be just as aesthetically pleasing and thought-provoking as human-created art.

Ultimately, the question of whether AI-generated art is “real” art may be less important than the fact that it is generating new and interesting forms of creative expression. While there are concerns about its impact on human creativity and the potential for misuse, there is also great potential for AI to push the boundaries of what we consider to be art and to enhance the creative process for human artists. As AI technology continues to develop, it will be interesting to see how artists and audiences alike respond to the new possibilities that it creates.

Dan Ortiz Leizman’s work is included in LIMBSHIFT at The Stamp Gallery of the University of Maryland, College Park, from April 20th to May 19th, 2023. For more information on Dan Ortiz Leizman, visit https://www.danortizleizman.com/. For more information on LIMBSHIFT and related events, visit https://stamp.umd.edu/articles/stamp_gallery_presents_limbshift.

Related readings:

https://www.nytimes.com/2022/09/02/technology/ai-artificial-intelligence-artists.html

https://www.pbs.org/newshour/show/use-of-artificial-intelligence-generates-questions-about-the-future-of-art

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