All posts by rschmidj

Nnoshe (portrait), Nickole Keith

Nickole Keith
Nnoshé
4’x4’ 
Acrylic on birchwood 
2019

Nnoshé is a 4’x4’ mixed medium piece of acrylic painting and beads on birchwood created in 2019. The artwork is divided into several horizontal sections. Three quarters of the painting has colors of black, purple/pink, bronze, and grayish-black color strokes that are rough in texture, almost like a fork that was dipped in paint and dragged in various directions along the birchwood. The grayish-black stripes represent forms of bondage materials. These colors serve as a background to another section in the upper portion of the painting. This section, in the middle of the background, features a portrait of a deceased brown Native woman (from the chin up) with long black hair behind various blades of grass whose physical body has begun to return to Mother earth. She is a foreground to a blue and white sky that is marked with 10 red handprints. The handprints represent the statistics that Anishinabe women face murder rates more than 10 times the national average. The other quarter of the painting is separated by three strips. The first, which disrupts the black and colored background, is a thin strip filled with small gold & silver beads and white pearls. The gold-pearl gems mimic the sunset and offers hope that those that are still missing will be rescued alive. Underneath is a little thicker black strip with the gray-ish black rough strokes again. Finally, the bottom strip extending to the end of the birchwood displays blue colors with white highlights and crystals on top, giving a sense of movement. The blue and shining crystals symbolize water which we all have a connection and return to.

Eva Salazar, Monument Quilt Block

Monument Quilt Block is a 8’x8’ fabric and sharpie marker piece created in 2017 by Eva Salazar, FORCE: Upsetting Rape Culture, and Anonymous Artists. The quilt square is divided into four quadrants and has a variety of fabric squares in different colors and patterns with a solid red background. Salazar’s is in the upper left quadrant. Salazar’s block is solid red and is flanked by two thick, white columns. The center is composed of block letters in uppercase which are cut out of pale green, smooth fabric that spell out a message in Spanish (From top left to bottom right): “No hay culpa en tu silencio asegura. Tu sobre-vivencia.” There are several small, handwritten messages in dark blue sharpie markers in some of the letters that spell out an additional message. (From top left to bottom right): “Yo temo que mi Papá me culparia por lo que pasó.” The upper right panel is solid red, with uppercase black letters written in sharpie in the center saying “My body is beyond what you made it.” Right underneath the end of the sentence, there is a rectangle of white fabric with additional black sharpie writing inside partially in all caps and then lowercase within two parentheses, which reads: “I am healing (no thanks to you).” The bottom left quadrant has a solid red background with a folded over, peach-colored, wrinkled-looking piece of cloth that creates the shape of a sideways V. The bottom right quadrant is a solid red with three plant stems in the center with light green and lavender leaves on them, all made out of cut up pieces of fabric. The leaves have the details of their veins drawn on in green marker. There is one leaf off of the stems in the upper right corner of the block.

Eva Salazar, Uno ha creído a veces, en medio de este camino sin orillas, que nada habría después; que no se podría encontrar nada al otro lado, al final de esta llanura rajada de grietas y de arroyos secos. Pero si, hay algo

Uno ha creído a veces, en medio de este camino sin orillas, que nada habría después; que no se podría encontrar nada al otro lado, al final de esta llanura rajada de grietas y de arroyos secos. Pero si, hay algo  is a woven tapestry that appears rough in texture, with frayed edges that are long and black, measuring fifty by sixty inches. The center of the tapestry is woven to appear fainter with the colors and the large words in block print, which are on a lighter off-white, jagged part of the design to look almost like a torn page from a novel. The words read in Spanish, from top left to bottom right: “Uno ha creído a veces, en medio de este camino sin orillas, que nada habría después; que no se podría encontrar nada al otro lado, al final de esta llanura rajada de grietas y de arroyos secos. Pero si, hay algo.”

Eva Salazar, No tenía ganas de nada, solo de vivir

No tenía ganas de nada, solo de vivir is a cotton and hand dyed wool, brocade woven cloth, ink, sand, and text from Juan Rulfo’s short story “Tell them not to kill me!” from his collection “El Llano en Llamas” or “The Plain in Flames,” measuring forty by seventy inches. It lays on top of a rectangular platform. In the center is a vertical, rectangular woven tapestry. It appears rough in texture, and the weaving is made up of black, gray, cream, and white wool. The colors weave in and out of each other, except for the top right and top left corners, which are woven solid black squares. The center of the tapestry has the imprint of a person in black ink. Some parts of the figure are missing, appearing like a person laid on top of it. The figure is curled up, with the head at the top of the tapestry and the feet at the bottom. The figure’s right leg is pointing away from the rest of the body, with the left pointing down. The hands are extended, the right one palm side down and the left palm up. The sides around the tapestry on the platform are covered with sand. In the center of the tapestry, the surface is raised to emphasize the remnant of the body that is imprinted into the weaving, as if to make it appear that someone is lying under it.

Eva Salazar, To have and to hold

To Have and To Hold is a collection of soda fired and electric fired stoneware pieces, each of the seventy pieces measuring approximately five by two inches with variable dimensions. The objects are various shades of brown, tan, and cream, with some parts being shiny or polished. They are all irregularly shaped, which the subject can feel when picking them up. There are also a couple of translucent, lighter-colored stones or fragments. Viewers are also invited to pick these pieces up and feel the variations of smooth and rough surfaces. Some pieces may even feel slightly jagged and as if they jut out in odd places.

Gloria Garrett, Workbooks

Descriptions of Workbooks on Table, no specific order:

My Baltimore Workbook: This workbook is hand-drawn and is made up of photocopies of drawings, makeup paintings, activities, and poetry. The cover features a hand-drawn illustration of a person with dark hair, a light brown complexion and a pinkish top looking out from a large door with a window to their right, with three miniature white swans floating behind them on the right. There is one large swan drawn on the bottom of the door. The title at the top, highlighted in yellow, reads “My Baltimore.” At the bottom right, also highlighted in yellow, reads “Written and Illustrated by Gloria Garrett. Photos by Ben Garrett. Copyright 2019.” While the texture of the cover is smooth, the material suggests it was thick and textured, with a nearly oily feel to it as if touching pastels. The silvers also appear to be reflective. 

The Afro Star Workbook: This workbook is hand-drawn and is made up of photocopies of drawings, makeup paintings, activities, and poetry. The cover features a hand-drawn illustration of two adults and a baby. All three have dark brown complexions and are looking to their right, with the two adults in profile. The largest male figure has dark brown skin, a white head covering, and is wearing a flowing white robe. The medium female figure is sitting and has dark brown skin, a red head covering, and silvery hoop earrings. The baby she is holding appears to be wrapped in a white blanket. Next to them is a large, silver, Christian cross. There are yellow highlighted text boxes below it that read: “Information About Our History: The Afro Star,” “Written and Illustrated by Gloria Garrett, A Baltimore City Artist,” “Copyright 2019.”

Flowers and You Workbook: This workbook is hand-drawn and is made up of photocopies of drawings, makeup paintings, activities, and poetry. The cover features a colorful, textured painting showing a young girl with a light brown complexion and dark hair covered by a red bandana wearing a red shirt and blue pants, tending to a flower garden. The flowers are vibrant and cover most of the scene with reds, oranges, and greens. They are surrounded by a circular brick flower bed. At the top, the title reads “Flowers and You” in large, all capital, typed letters, and appears to have been cut out separately from the rest of the work. Near the bottom, a typed label outlined by a dark green marker box says “Written and Illustrated Gloria Garrett. Copyright 2019.”

Peace My Joy Workbook: This workbook is hand-drawn and is made up of photocopies of drawings, makeup paintings, activities, and poetry. This cover features a large, hand-drawn peace sign in the center, with shades of red, brown, orange, and some green. There are scribbled lines around the border of the cover in various colors. At the top, there is a boxed title that reads, “PEACE, MY JOY.” At the bottom left, there is another box with the text “Written and Illustrated by Gloria Garrett.”

Advice for Life workbook: This workbook is hand-drawn and is made up of photocopies of drawings, makeup paintings, activities, and poetry. The cover features colorful, hand-drawn illustrations of four smiling children in a grassy outdoor scene. The young boy at the top center of the cover  has a pale complexion and curly, light brown hair, and is standing with arms raised in excitement, wearing a red top with a white collar and blue pants. The three other children are seated or kneeling. The young girl in the bottom right corner has a white complexion with flecks of brown, curly dark hair, and is dressed in a pink outfit. On the far left a young boy with yellow skin, dark curly hair, and wearing  a blue shirt is sitting on the ground, and the fourth female child on the right of the boy has a yellow complexion with curly red hair and is cross legged  wearing  purple, looking up at the standing child. Green trees and bushes are in the background, and purple flowers are scattered in the grass. Text on the cover reads, in green boxes: “Advice for Life. Written and Illustrated by Gloria Garrett, a Baltimore City Artist. Copyright 2019.” 

Generations Workbook: This workbook is hand-drawn and is made up of photocopies of drawings, makeup paintings, activities, and poetry. The cover features a woman with a smiling face, a light brown complexion, large eyes that are looking to the left, and an orange headcovering. The woman  is wearing a dark outfit and is placed in the foreground, with two dark brown and black houses behind them and crosses in the grass on each side. The art is titled “Generations,” with a label at the top, and is signed “c 2019 GLO” in the lower right corner. The book has a blue spine.

I Can’t, We Can workbook: This workbook is hand-drawn and is made up of photocopies of drawings, makeup paintings, activities, and poetry. The cover is smooth and reflective, with a long, thin strip of red material covering the spine of the book. The cover features a central image of a large, yellow, Christian cross outlined in blue, set within a cloud shape with squiggly red, green, and yellow lines around it. At the top, it reads, in all caps, typed  “I Can’t” on the far left  and “We Can” on the far right of the cover. To the right of the cross, there’s a small illustration of a person with very light brown skin who is wearing a red shirt and blue jeans  lifting or pushing a boulder that has been outlined in black and colored in with a light gray, with text under it reading “I can move this boulder out of my way” in a person’s hand writing. At the bottom of the cover, it reads in type  “Written and Illustrated by: Members of Our Own Inc. Baltimore and People Encouraging People. Copyright 2018.”

Gloria Garrett, Quilt Block

Monument Quilt square is a 8’x8’ fabric and sharpie marker piece created in 2018 by Gloria Garrett, FORCE: Upsetting Rape Culture, and Anonymous Artists from Councilwoman Rita R. Church Community Center in Clifton Park. The quilt is divided into four quadrants, with a variety of colorful fabrics. Garrett’s is in the bottom left quadrant. It has a solid red background with a large rectangle in the center with thin stripes of white and light pink. Laid over top of the striped fabric in the center is white lacy fabric made up of large flowers, thin stems, and small leaves. The leaves have been painted over with dark green that speckles the fabric but allows the white to still peek through. The flowers are painted with smudges of color such as red, purple, blue, and yellow. Outside of the rectangle on the solid red background, there are white speckles scattered throughout. In the four corners there are small white rectangles with block letters in sharpie and thin lines of blue paint on the border. They each say (from top left to bottom right): “You,” “Are,” “Not,” “Alone.” In the center above and below the piece of rectangular fabric there are large letters that are painted on in overlapping blue, green, and yellow pigments. They say (From top center left to bottom center right): “You are loved and beautiful.” The upper left quilt has a solid, black background with a bright red fabric square in the center. Within the red square, there is handwritten text in large blue painted letters which says (from top to bottom): “Stop the violence. God is love.” The words are flanked by two hearts painted on in the same blue. Throughout the square are faint speckles of yellow and white. Flanking the middle red square on the left and right are a variety of bright, colorful, patterned pieces of fabric. The upper right quilt has a solid, cream background with a red square of solid fabric in the center. Within the square are three words painted in yellow, blue, and red that say (from top to bottom): “Love doesn’t hurt.” On the edges of the square there are six flowers cut out of floral fabric. The red square is flanked by two pieces of fabric- the one on the left is light pink and white striped and the one on the right is bright off-white. The bottom right quilt has a patterned fabric background composed of small green and yellow squares. In the center is a red square of fabric. At the top of the square is the word “Believe!” in bright yellow letters. In the center of the square are a series of hand painted pink and yellow flowers. Below the flowers are the words “Jesus is always around!” with squiggle shapes, all of which is painted in bright yellow.

Video: Monument Quilt History Series, Gloria Garrett

Two people sit on a blue-gray couch with a square pattern on it. The wall behind them is white brick and has a bulletin board hung on the right with papers pinned to it in light pinks, yellows, and greens. The person on the left appears to be in their twenties, and has light tan complexion and short, dark hair that swoops to the right side of their face. They are wearing a short sleeved, dark blue button down shirt with palm leaves scattered all over it in green and light brown. They are also wearing light gray shorts. The woman on the right is an older Black woman with a medium brown complexion. She has short, gray hair that is mostly covered by a kufi hat that has a light orange and white pattern of lines on a dark background. She is wearing a long sleeved teal colored shirt with light yellow designs embroidered on the front of it, and black pants. She has several necklaces on, one of a braided gray material that is choker style, one made of thick, chunky brown beads, and a large cross. She also has several beaded bracelets and wooden bangles on both wrists.