Category Archives: Current Exhibition

Where I Stand

In the wake of last Tuesday’s election and its results, The Stamp Gallery’s exhibit, Black Maths, has become more relevant in processing the emotions and opinions of the Gallery’s audience. The election’s results have left people angry, upset and afraid. But what can these feelings solve? If I can conclude anything from the horrific news of racial tensions on both sides, these feelings solve nothing, these feelings save no one in their rawest forms but these negative emotions can be transformed into mindsets that are productive, mindsets that can produce real change instead of promoting or repeating acts of our past. So, have your conversations about how hurt you feel but don’t turn that hurt into hatred. Instead, use your emotions and turn them into something productive, something progressive.

 

Shay Tyndall

Collectivity and Observation

collective

we spend our whole lives

seeking to be individual

define ourselves by

altering everything

we have

the same skin

grow hair the same way

lose nails

and teeth that don’t grow back enamel

our eyes know only their position below

our brows

our nose between

our ears on either side

next to

perhaps a few color changes

our genetic make-up

has only one brand

we were manufactured in the same factory

outside labels are all the same

so how could we expect that intrinsically

we could be any different

sure there is the effect of wear tear & age

nature versus nurture

the ends held prisoner by the means

but when you excavate the core

put under microscope the reason for doing

the instincts

the archetypes remain

unchanged

I wrote this poem a few months ago while thinking about Carl Jung and his idea of the collective unconscious. Simplified, his theory says that our unconscious minds are connected through ancestral memory and experience and that all humans have this in common. This part of our mind is, of course, different from our individual consciousness. What causes me to bring back this idea of the collective unconscious is what I have observed while watching and taking part in Paradise Now‘s games. There is no set rules to this game, yet after a while, patrons seem to know what they are doing and they exhibit this through their lack of knowledge. As the game progresses, patrons develop the same idea: that I must go along with everything in the game or, if I disagree, I change it. We all hold on to this same thought but in dealing with/ executing it, this is when our individual consciousnesses come into play: some people will follow along with where others lead them, others will create their own rules by changing the ones on the whiteboard still others will change their own rules silently. Through my own informal study of behavior, I have found that Paradise Now is not only a game of unequal circumstances and varying objectives, it is also a game of collectivity and observation. 

Shay Tyndall 

in {paradise now}

color can’t without light

freedom isn’t in a vacuum.

see the space between us

and know it can grow smaller.

know that wreckage

can be a duet,

that anthems

are born from cacophony,

and that loneliness

is overrated.

know that your CZs are my fat blueberries

and we are mutually rich.

know that banality will not save us,

only the words you’ve never said:

they are the ones I need to hear.

small phrases, passed gently,

in that little space between us.

softest celebrations.

loving without romance.

a clementine in six parts.

between you,

and me,

and you,

and you,

it is never too beautiful

it is never too fair.

 

two-figs-913

Grace DeWitt