Written by Jasjot Kaur

How do unwanted objects, sign language, and keys become a language that transcends the frames of an artwork, inviting reflection on personal stories? Schroeder Cherry’s art is not about prescribing a single narrative but about offering an open-ended conversation that resonates with those willing to pause, observe, and engage. His work speaks beyond the African diaspora, inviting all viewers to find meaning within the layers of repurposed materials, folklore, and memory.

Cherry’s mixed-media assemblages on wood embrace storytelling inspired by travel, history, and real and reimagined events. His pieces hold multiple interpretations.  Cherry’s use of sign language and alphabet, spelling out specific words that connect to the work’s title, acts as both a riddle and a guide, nudging viewers toward understanding the arts concept without dictating what they should see. The harmony of pictorial and materials makes his art into a language medium that transcends words, across the stories of the African diaspora allowing each individual to bring their own lived experiences and an opportunity to learn from another.

One of the most striking elements in Cherry’s art is using keys. They symbolize access—both the power to lock and to unlock. “Everybody I know has at least one key they’ve had for more than a year and don’t know what it belongs to,” Cherry reflects. A key, seemingly insignificant in isolation, gains new life within his compositions, provoking curiosity and introspection. Keys are one of those overlooked items that are a part of our everyday lives, but we do not realize their importance unless we lose it. It prompts the question: What doors, both literal and metaphorical, have we left locked or forgotten? What memories remain suppressed but, if lost, would trouble us? What stories, memories, and emotions, though left behind in the past, still haunt us?

His mixed media art encourages a slow engagement—something rare in a fast-paced world—and urges viewers to pause, observe, and reflect. Recently,  I witnessed a family with young children embodying this philosophy. While looking at the Adam and Eve Enter the Garden 2024 piece, the parents encouraged their children to share what they saw and thought and how they might create something similar. The kids gravitated toward the colors, the recognizable objects like shells and the sparkle of the beads, and the sense of playfulness—all of which sparked curiosity and storytelling. One kid said it reminded them of upcycling, to which the parents suggested working on something similar at home. The parents realized they had lost touch with the arts and crafts activities they used to enjoy in their home garage—a special way they bonded with their children. Found materials in Cherry’s art serve as personal and collective memory touchstones. For one family, the shells and beads recalled childhood arts and crafts, summer beach days, and family traditions. The materials transcend as they may symbolize something deeply personal—an object tied to a specific moment or feeling.

By repurposing commonly found yet unused materials like wood, hardware, locks, and other household objects, Cherry creates sculptural paintings that feel introspective and transcend beyond the frames. There is a sense of familiarity yet mystery—a push and pull between the recognizable and the unknown. His background in puppetry and painting allows him to blur the lines between functional and non-functional forms, placing viewers at a crossroads. What is this material for? What is this story, and whose story is it? Do I have a role to play in it? 

Cherry often receives keys from people who visit his exhibitions—an exchange of objects that carry unknown pasts. For those who stop to look closely, the sensory experience of his work can unlock memories, traumas, beliefs, and fears hidden within themselves. His boundless frames extend beyond the canvas, reaching many people who belong to the story, inviting them to add their chapters.

Everyone has a story—a unique, incomplete story—one that is constantly unfolding.

Next time you visit Schroeder Cherry’s exhibition, take a moment. Look closely. Ask questions. What stories will you uncover?

Schroeder Cherry’s work is included in Open Ended Narratives: at The Stamp Gallery of the University of Maryland, College Park, from February 18 to April 5, 2025. For more information on Schroeder Cherry’s work, visit https://bakerartist.org/portfolios/schroedercherry.  For more information on Open Ended Narratives: and related events, visit https://stamp.umd.edu/centers/stamp_gallery.

Written by Soeun Kim

While people are often drawn to noticeably ostentatious and obtrusive works that grab their attention right away, there is an undeniable pull toward the everyday familiar spaces and moments that feel deeply personal and universally relatable. Even from outside the Stamp Gallery, Schroeder Cherry’s exhibition Open Ended Narratives immediately captures the attention with its shimmering keys, locks, and metal elements. While Cherry intended to symbolize them as tools of access, these keys, reminiscent of Hansel and Gretel’s breadcrumb trail, acting as symbolic markers and guiding visitors through Cherry’s thought-provoking works. These objects invite the viewer to piece together a personal narrative, intertwining connections between seemingly disparate elements of the exhibition. Like unlocking hidden layers of meaning, these objects encourage visitors to follow the visual and thematic threads throughout the gallery.

Upon entering the exhibition space, visitors are immersed in an array of distinct themes and series from Cherry’s collection, with the Barber Shop Series standing out as a particularly compelling piece of the narrative puzzle. This series, rich in both visuality and concept, extends beyond the literal barbershop setting, opening conversations on broader social and political themes. Everyday objects, such as playing cards and mirrors, prompt viewers to pause, reflect, and construct their own interpretations. How do communal spaces, like barbershops and hair salons, serve as cultural hubs for storytelling, social bonding, and the exchange of perspectives? And how does Cherry establish such a personal connection with the viewer through his intricate use of found objects?

Cherry’s artistic philosophy resonates deeply with my own approach to design—drawing inspiration from the everyday, the familiar, and the overlooked. The Barber Shop Series especially evokes a sense of nostalgia, curiosity, and warmth. Through this series, Cherry highlights the role of the Black barbershops as more than grooming spaces. They are social sites where Black men are gathered to exchange ideas, discuss social issues and build connections among their community. These spaces serve as the cultural cornerstone that extend beyond the barbershop. Before moving to America in fifth grade, one of my most familiar routines was accompanying my grandmother to her hair salon appointments. There, under the warmth of perm heat machines, neighborhood women gathered to chat and exchange everything from small talk to the biggest gossip in town. Though I often didn’t understand the full scope of their conversations, I instinctively recognized the salon as more than a place for hairstyling. It was a social hub, a space for connection, conversation, and shared experiences, even among strangers. When I first encountered Barber Shop Series #35, Shoot, I felt as if a book in my mind had flipped open to a long-forgotten chapter of my life—young memories that had quietly lingered in the back of my mind. It’s remarkable how art has the power to resurrect moments we never consciously preserved, bringing buried memories back to the surface.

While we may never fully know all of the meanings these objects have for Cherry, what remains clear is his ability to guide viewers toward personal meaning-making. In exploring the Barber Shop Series, I found that my way of “unlocking the locks” was reconnecting with deep, formative memories—realizing just how much emotion and significance are embedded in the everyday. Through nostalgia, curiosity, and artistic deliberation, ordinary spaces become extraordinary, revealing new layers of personal and collective history.

Visit our Stamp Gallery and explore Cherry’s works firsthand. As you move through the exhibition, consider this: What is your key to the locks? What memories, emotions, or connections do these pieces unlock for you? Art has a way of revealing stories we may not have realized we carried—what story will you uncover?