Distinct Chatter from April 8 to May 20, 2022 at The Stamp Gallery | University of Maryland, College Park | Written by Hannah Zozobrado
Along one of the walls of the gallery hangs a black-and-white striped shirt, cut into curved strips that defy the thin, horizontal stripes. The slits on the left and right side of the tee curve symmetrically in opposite directions. The work is Charlotte Richardson-Deppe’s Just a Shirt (2021), which also has multiple colored pins poking into each strip of material, sticking out of the shirt and giving the piece overall dimension. For Richardson-Deppe, the chopped piece of clothing is a reminder of a bitter story.
The story that accompanies Just a Shirt is as follows:
It is the spring of Richardson-Deppe’s senior year of college, and she and her friends are spending a night in a Chicago hotel. They encounter a middle-aged man in the elevator, and he strikes casual conversation with them. They all arrive at their hotel room soon after; the hotel room’s phone begins to ring and Richardson-Deppe’s friend answers the phone – the caller is the man from the elevator, asking if the girl in the black and white shirt is in the room. Richardson-Deppe is the girl in the black and white striped shirt.
The friend lies and hangs up the phone. They are all scared, and they call their male friend – “tall and strong” – to request their room change at the front desk. They finally change their room, but the fear and paranoia does not depart as they ensure that the doors are locked.
While the title is Just a Shirt, the material is more than that to Richardson-Deppe. It is, in fact, just a shirt in its appearance, but this shirt is a reminder of a chilling dilemma that she had to experience as a woman and had to resolve with the help of a man. It is a reminder of the feeling of hopelessness that comes with knowing you are being surveilled by an unknown man with unknown intentions – something that many women experience in a patriarchal society.
Charlotte Richardson-Deppe, Just a Shirt, 2021. Shirt, pins, 16” x 18”.
The cuts that curve outward from the shirt’s middle center look as though they take the form of the female reproductive system. This piece is representative of what it means to be a woman in a society where men can be either predatory or heroic – and either way, the woman is to succumb and yield to man, whether that be as their prey or damsel in distress.
The shirt is formed by these symmetric slits in the material, and the rightward and leftward curve of these cuts on the shirt cause a split in the overall work. With this, the tee represents womanhood while also drawing a literal and metaphorical line between the experiences of women and men.
The pins on this work, which are typically used to help in mending rips and tears at cloth, only jab into the material with an ostensible purpose of pinning the strips to the wall. The pins also make the shirt feel unmoving; this is to say that the sentiment of reinforcing society’s rigid social and patriarchal structures are to remain unchanged, or at least difficult to change.
Just a Shirt shows that objects, contrary to their simple appearances, can often take up the space beyond their physical composition. They encompass the memories that evoke strong emotions, like disgust and fear, while also becoming a symbol and motif of lived experiences; this piece, in the context of what had happened as the shirt was worn, is critical commentary on what it is like to be a woman: having to keep an eye out for our well-being and, like Richardson-Deppe, even sleep with one eye open.
Just a Shirt tells a story that many women are able to relate to – no matter the shirt they choose to wear.
Charlotte Richardson-Deppe’s work is included in Distinct Chatter at The Stamp Gallery of the University of Maryland, College Park, from April 18 – May 20, 2022.
For more information on Charlotte Richardson-Deppe, visit the University of Maryland’s Department of Art.
For more information on Distinct Chatter and related events, visit the Stamp Website.
